Hamza, owner of Wind Horse Records has reached a milestone
in his twentieth release as it is his first full-length album. Gitano is
culmination of a prolific five years for the Indian producer with over a
hundred recorded tracks and singles for the likes of legendary German label
Kompakt and New York-based Deep House imprints King Street, Nite Grooves, and
Open Bar Music.
Now in its fifth year, Wind Horse Records – the first house
music label of India - continues to pioneer the deep and tech house movement in
India with releases, parties, and ground-breaking collaborations.
Gitano emerges out of a feeling embodied in the many
different sonic landscapes wandered in and out of across the ten track release,
touching on Latin, Celtic, flamenco, funk, and jazz influences within its house
music foundation – incorporating many cultural trademarks.
Hamza with his uplifting melodies, sparkling production, and
warm bass lines aims to seamlessly merge floor-driving deep and tech-house
styles with a reverent helping of global musical traditions.
The opener “Sky Song” features Celtic strings plucked in a
way that somehow recalls the wilderness of the African motherland. A soul satisfying bass line is magically
mixed with wonderfully floated key stabs, pseudo-psychedelic guitar staccatos
that wash from side to side, and a horn that sounds like it is straight out of
New Orleans.
“Blue Groove” and “Ritmo Del Amor” have a very classic
Latin-influenced New York house sound incorporating percussion, funky bass
guitars with plenty of groove, energetic keys on a mission, quick flute
accents, and vocals used as their own instruments. “Blue Groove” also features
the contribution of Bista - a new studio collaborator with Hamza. “Tech Me to
Havana” is exactly as the play on words in the title suggest and “New York 2
New Delhi” blends all this into a familiar epic of evolving bass, chugging stabs,
highs soaring on sensory overload, and explosive build ups.
“Let The Music Play On” (featuring the vocals of the
UK-based Loopy Juice), “Do It Right,” and “City Lights” bring to the forefront
more funk and jazz elements across guitar riffs, claps, snares, cymbals, and
vocals. With the help once again of the enigmatic Bista, “City Lights” shows
Hamza’s ability to transform an unassuming track into a booming dance floor
number full of tech energy. “Every Time the Bass Goes Down” is a funky affair
but markedly different with its braggadocio vocals over the interplay of organ
and distorted synth bass lines. It features another first for Hamza, as the
vocals are his own, added as an experiment that successfully enhanced the tune.
The title track, “Gitano,” with its driving bells, crashing
cymbals, remarkably deep bass, classic flamenco guitars, and traditional
singing is a melting pot of South African melodies, Spanish finger work, and UK
bass tied with an Indian voice.
Having developed many talented resources for export to the
outside world, Wind Horse has recently been incorporating more remixers from
the West, encouraging a two-way global relationship. Hamza has also been
working to expose an Indian audience to the possibilities of house music through
his Sunday Sundowner parties in New Delhi where he is joined by other artistes
from the Wind Horse roster.
Hamza aims to take this party to other parts of India,
incorporating homegrown talent, and inspiring a pan-Indian house music
movement. More world tours will follow as Hamza further exposes his special
mixture of house and world music to global dance floors.
Hailing from New Delhi and now working to strengthen his
base here, Hamza has attained a reputation as one of the more innovative and
exciting producers, apart from being a top-notch DJ. His diverse international
sound is influenced from his strong musical background as well as growing up in
India and traveling the world, living in Paris, Boston, and New York.
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